
Set during the post Spanish Civil War in 1944, Pan’s Labyrinth is about the journey of a little girl called Ofelia to discover if she is the missing Princess Moanna, daughter to the king of the underworld, who according to legend, became curious about the world above and fled to the surface, where the brightness of the sun blotted out her memories.of the underworld. Faced with an unknowing future after Ofelia’s mother marries a tyrant who is a Captain in the war, Ofelia retreats into her fairytales to escape from the horrors of war around her. A Spanish film with subtitles, the original title in Spanish directly translates to "The Labyrinth of the Faun"; the English title refers to the faun-like Greek god Pan, though Director Guillermo del Toro has stated that the faun featured in the film is not actually Pan.
This is a extraordinary and wonderful movie from del Toro who bought us Hellboy, Blade II and Mimic. The same themes from those movies flow through Pan’s Labyrinth where the haunting shadow worlds of imagination and nightmares pale next to the evil of the real world. Drawing on Alice in Wonderland, Pinocchio and many other inspirations to create something quite new and wonderful, this is still a scary movie. The creatures from Ofelia’s journey are fantastical and frightening in their own imagery, but do not compare to the controlled fury and violence of the Captain that escalates as it becomes obvious that his side is losing the war to the rebels.
There is a warmth and wonder amidst the brutality of Captain Vidal’s war and terror, especially from the housekeeper Mercedes who adopts and protects the girl while leading a dangerous double life, and an ancient comfort in the ancient and primal fantasy visions that are hewn from the earth and grown from enchanted wood and flora in Ofelia’s visions.
I loved this movie and thought it was one of the best movies I’d seen for a long time. Told through the eyes of a little girl whose imaginary world is inhabited by nightmarish creatures, Pan's Labyrinth is a visually imaginative and allegorical take on the fears she faced in Spain during WWII. And though not for the squeamish or fans of Fascism, this dark enchanting fantasy is a captivating, escapist fairy tale, even if one with a dark undertone.
This is a extraordinary and wonderful movie from del Toro who bought us Hellboy, Blade II and Mimic. The same themes from those movies flow through Pan’s Labyrinth where the haunting shadow worlds of imagination and nightmares pale next to the evil of the real world. Drawing on Alice in Wonderland, Pinocchio and many other inspirations to create something quite new and wonderful, this is still a scary movie. The creatures from Ofelia’s journey are fantastical and frightening in their own imagery, but do not compare to the controlled fury and violence of the Captain that escalates as it becomes obvious that his side is losing the war to the rebels.
There is a warmth and wonder amidst the brutality of Captain Vidal’s war and terror, especially from the housekeeper Mercedes who adopts and protects the girl while leading a dangerous double life, and an ancient comfort in the ancient and primal fantasy visions that are hewn from the earth and grown from enchanted wood and flora in Ofelia’s visions.
I loved this movie and thought it was one of the best movies I’d seen for a long time. Told through the eyes of a little girl whose imaginary world is inhabited by nightmarish creatures, Pan's Labyrinth is a visually imaginative and allegorical take on the fears she faced in Spain during WWII. And though not for the squeamish or fans of Fascism, this dark enchanting fantasy is a captivating, escapist fairy tale, even if one with a dark undertone.


